Root notes help provide a reference point to quickly identify and navigate between scale positions. When going through each scale position, it’s important to note the location of the root notes. Try to play through the scale positions as shown, but feel free to adjust them if a different fingering pattern works better for you. Note that the fingerings shown in the diagrams below are recommended based on how these scales shapes are typically used in music. At the end of this section will be a diagram showing all of the scale positions connected across the whole fretboard. We’ll go through each position and go over the note patterns, intervals, and recommended fingerings. When you do this, you get 5 different positions of the A minor pentatonic scale, several of which repeat in different locations on the fretboard. However, we can combine these notes into note groupings to form memorable scale patterns, or positions. The notes for the A minor pentatonic scale are found all over the fretboard, as shown in the diagram below. 5 positions of the A minor pentatonic scale The only thing that changes is the root note from which the scale is built. Note that the intervals that make up the Am pentatonic scale are universal to all minor pentatonic scales. The diagram below shows the notes and intervals that make up the A minor scale. If we apply this formula to the chromatic intervals on the guitar, you can see how the minor scale is built. It’s the only minor scale that doesn’t contain any sharps or flats.īecause it’s a minor scale, it follows the following pattern of whole & half-steps: The A minor scale is a 7-note, diatonic scale made up of the notes A, B, C, D, E, F, & G. Applying the A minor pentatonic musicallyīefore we hop into the A minor pentatonic, let’s first take a look at its parent scale, the Am scale, to see how the scale is formed.A minor pentatonic connected across the fretboard.5 positions of the A minor pentatonic scale.In this lesson we’ll take a deep dive into the scale and explore some examples of its many uses.Īs this lesson is a bit lengthy, here is a table of contents for what will be covered: However, it WORKS, so put the time in.The A minor pentatonic scale is one of the most widely used guitar scales of all, particularly in the blues genre. It will cover what you need to know, especially for changes and such. This whole process takes a half year for kids that practice, longer for those who don't. From there you can start on any more you want through the circle of 4ths. Then I teach it starting on B, up and down two octaves. I start on Bb and go 2 octaves up and down. After minors, these go really fast, so start with whatever. Dorian, play all your major scales starting in the 2nd scale degree. By this point they are saying the notes in their heads with fluency and this just becomes a mind game.įrom here I haven't figured out if Dorian or Mixolydian is the best one to go to next. Playing the major and natural parallel first helps students remember the pieces. Melodic is a blend - CDEbFGABCBbAbGFEbDC. So C is CDEFGABCBAGFEDC, then C Natural Minor CDEbFGAbBbCBbAbGFEbDC. I teach it by playing your major and parallel natural minors first. Melodic Minor is a test of patience but you can do it. I like to start on the 6th, play the M7th below it to remind me, then remember to add that to the leading tone as I ascend and descend. Drop to the 6th below, play the same notes starting in the 6th. Same positions, different notes! That knowledge will pay in dividends and make Harmonic Minor much easier. It's important to know all 6 of those scales. Check with a teacher if you need to review C#/Db, F#/Gb, B/Cb. You'll struggle to play your minors and modes if your majors aren't solid as a rock. I go in 4ths because of the ii-V7-I connections. This method assumes you know a chromatic scale with all sharps and flats.
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